Sunday, November 27, 2005

Embrace


“At the beginning of creation, men and women were not as they are now; there was just one being, who was rather short, with a body and a neck, but his head had two faces, looking in different directions, with two sets of sex organs, four legs and four arms.
However, the Greek gods were jealous, because this creature with four arms could work harder; with its two faces, it was always vigilant and could not be taken by surprise; and its four legs meant that it could stand or walk for long periods at a time without tiring. Even more dangerous was the fact that the creature had two different sets of sex organs and so needed no one else in order to continue reproducing.

Zeus, the supreme lord of Olympus, had a plan to make these mortals lose some of their strength, and so he cut the creature in two with a lightening bolt, creating man and woman. This greatly increased the population of the world, and, at the same time, disoriented and weakened its inhabitants, because now they had to search for their lost half and embrace it and, in that embrace, regain their former strength, their ability to avoid betrayal and the stamina to walk for long periods of time and to withstand hard work. That embrace in which the two bodies re-fuse to become one again is what we call sex”.

That was what he told her right before they touched, kissed and their bodies eternally embraced…surrounded by a holy light, that covered both bodies. They are now re-united into the original beautiful and strong creature.

Tuesday, November 22, 2005

DESIRE

It is the only place where one can be as free as a bird. We can desire anything we want, good or bad, normal or extraordinary, sweet or bitter, no matter what our desire is, it is always ours and nobody else’s. Nobody can judge us or criticise us there. Desire is always good even if it was bad. It must be good because it always feels good to have a desire. It makes us feel free and alive.

Tuesday, November 15, 2005

Tango I

The birth of tango took place towards mid-19th century, with the formation of dwelling conglomerates around the young city of Buenos Aires. Those who lived there, peasants from inland, European and African immigrants and some disadvantaged porteños (born in Buenos Aires), poor, undereducated, underprivileged, straight white men made up a new social class. Perhaps as a way of identifying themselves as a group and of feeling they belonged in their new home; they began to create cultural expressions derived from this mixture. This was the start of tango, characterized by its extremely closed codes, which were only accessible to the working classes. It was danced in bars, cafes, gambling houses and prostitution places. Later on "dancing houses" that provided girls for dancing and entertainment appeared.


Tango is only the third dance in history done with the man and woman facing each other, with the man holding the woman's right hand in his left, and with his right arm around her, the first one being the Viennese Waltz and the second is the Polka

At the time just to dance in front of each other the right arm of the man touching the back of the lady was a little too much…now here we have a dance in which there is a close embrace, cheek to cheek, chests together, the legs invading each other's space, in a long conversation of love and passion, with amagues (threatening motion), hooks, flirtatious looks and caresses…the writing of a prologue to a love story that was soon to follow.

The original lyrics frequently were references to sex and obscenities. It represented a kind of sexual choreography or a duel, a man-to-man combat between challengers for the favors of a woman. As women of good reputation did not want to have any part of it and the women at the brothels had to be paid…so if a man wanted to practice the new dance his only chance was…another man, which helped to create new moves and new steps. It had nothing to do with homosexuality.